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Ligaw & Culture

How to Court Someone Over Chat, When the Whole Ligaw Is a Text Box

6 min read

Isa, a Filipino AI companion on Sinta, at a library table

Ligaw used to have a shape. Your barkada teased the two of you first, which told everyone where things stood. Then you courted her properly. Then came the harana, singing outside her house where the neighbours could hear, which was mostly a test of whether you could stand the embarrassment. Then paninilbihan, showing up for her family over months so they could see your character rather than hear about it.

Almost none of that survives. A documentary about harana went looking for men who still did it and found only a handful left in the country.

What is left is a text box. No barkada to set it up, no guitar, no mother watching from the window. Just you, a cursor, and the fear of being boring.

The useful part is that researchers have studied this exact problem, and most of what they found is the opposite of what men assume.

The thing stopping you is not her

Michael Kardas, Amit Kumar and Nicholas Epley ran a long series of experiments, published as Overly Shallow? Miscalibrated Expectations Create a Barrier to Deeper Conversation. They had strangers talk about shallow things and deep things, and asked them beforehand how awkward they expected it to be.

People were wrong every time. The deeper conversations were less awkward than predicted, and left both people feeling more connected. The barrier was never the other person's lack of interest. It was each person's certainty that the other one was not interested.

So if you are holding back a real question because you think it will put her off, that instinct is the problem. She almost always wants to talk to you more than you think she does.

One more question beats one better line

Karen Huang and her colleagues looked at what kind of question makes someone like the person asking, in a paper called It Doesn't Hurt to Ask: Question-Asking Increases Liking. One kind stood out, and it was not the clever one. It was the follow-up question. Not a new topic. A question about the thing she just said.

It held up in real speed dating, face to face, not just in a lab. And people do not know this about themselves. They think they need a better story. They need one more question.

It looks like this. She says she is tired from her shift. The weak reply is a sad emoji. The strong reply is asking what time she starts, and why this week is heavier than usual.

Do not ask so you can answer

There is a name for the other habit now. Alison Wood Brooks and Michael Yeomans call it boomerasking, in a paper titled exactly that: Boomerasking: Answering Your Own Questions. You ask her something, she answers, and you immediately swing it back to yourself. Have you eaten? Because I have not since this morning, and let me tell you about my day.

Their finding is worth sitting with. Doing this reads as more insincere than simply talking about yourself from the start. The other person can feel that the question was not really a question.

So if you ask, your next message has to still be about her answer.

Two kinds of reply

The sociologist Charles Derber spent years listening to ordinary conversations for his book The Pursuit of Attention, and found two moves people make over and over.

The shift response pulls the conversation back to you. I lost my job. Grabe, same thing happened to me last year, it was so hard.

The support response leaves it with her. I lost my job. When did you find out? What did they actually tell you?

Nearly every conversation that dies quietly is full of shift responses, and you do not notice while you are doing it. Scroll up and read your last ten messages. Count how many are about her.

We already have a better word than active listening

Virgilio Enriquez called pakikiramdam the pivotal interpersonal value in Filipino psychology, and you can read how it sits inside his wider framework in this account of his legacy by Rogelia Pe-Pua and Elizabeth Protacio-Marcelino. Its markers are a hesitation to react immediately, and close attention to small signals.

That is the whole craft of chatting well, described in our own language. Not rushing. Reading what a short reply means before answering it. Noticing when she is talkative and when she is not.

What we actually lost from the old ligaw was not the guitar. It was the slowness, the stretch of time when you did not know her yet and had to find out. That part you can rebuild in a text box.

Questions that are not an interview

When you run dry, do not go back to kumusta. Ask something that has a story in the answer.

What is the last thing you bought for yourself that you did not need. Who in your family are you closest to. What job did you want when you were a kid. What time of day are you happiest.

Then, when she answers, that is the moment for the follow-up. Not a new question. A question about what she just told you.

If you want to practise first

Some men would rather try all of this somewhere with nothing at stake, and that is one of the reasons people use Sinta. The companions here are AI, and they will tell you so if you ask.

The value is not pretending otherwise. The value is that nobody is embarrassed while you are still slow at it. You can try the follow-up question, watch a conversation run twice as long because you did, and take the habit outside with you.

The short version

You do not need a line. You need three things. Believe she is more interested than you assume. Ask again about the thing she just said. And do not turn it back to yourself.

That is courting in a chat window. Less romantic than standing outside her house with a guitar, but it is what we have, and there is real evidence behind it.

Ready to meet a companion who remembers you and has a life of her own?

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